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2 DJANGO is moved into a line of SLAVES (The Black Men), and their MASTERS (their White Owners), and their SELLERS (the White Man actually doing the sales pitch on the auction block), as they wait for their turn on the block. /--" EXT - WOODS -- NIGHT It's night time and The Speck Brothers, astride HORSES, keep pushing their black skinned cargo forward.

A SLAVE (ROBBIE), stand on the auction block in view of the room full of Buyers, The SELLER sells, and the OWNERS stand off to the side. Django has never cared for white folks, but these white folks are in particularly ugly. It's a very pitch black night, with only a few stars in to create a little top light.

does Roy, the Slave in lead position on the chain gang.

It's also a bitterly cold night, with the breath of the seven slaves, two slavers, and two horses creating clouds in the air.

Now Spaghetti Western Flashbacks are never pretty, it's usually the time in the film when the lead character thinks back to the most painful memory inflicted on him or his loved ones from evil characters from his past.

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(to the shivering Slaves) Good evening-I'm looking for a pair of slave traders that go by the'name of The Speck Brothers. As the sun continues to beat down on Django's head, he remembers; DJANGO in the SLAVE PEN with what seems like a one hundred and fifty Slaves in a cell designed for forty. of the cell, shirtless, shoeless, and lead him down a hallway, into a giant round pen, an audience viewing area circles the round pen floor on three different stories of the structure. In the darkness a VOICE rings out; DJANGO'S VOICE (OS) I'm from The Carrucan Plantation. Schultz moves Fritz forward towards the darkness, raises his lantern, illuminating our hero Django. The ground floor is covered by the BIG MONEY BUYERS who stand in front of the auction block. The next FLASH OF LIGHT we see is the good doctors PISTOL out of his holster, and FIRING point blank into Ace Specks face... BLOWING the dumber dumb brother off his horse, dead in the dirt. SCHULTZ My good man, did you simply get carried away with your dramatic gesture, or are you pointing that weapon at me with lethal intention...? SCHULTZ - Very well - The doctor, throws his lantern to the ground, enveloping him in darkness.

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